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Some Unique Uses of the Yamaha TX81z Effects
By Carl Coan

The Yamaha TX81Z has some features which I have not found in any other synth. This article will deal with Delay and Chord effects. To use the Delay function you must first set up the 81Z to taste. While in the PLAY Mode hit the Utility key and set the memory protect to off. Use the Parameter keys to get to Edit Effect 1?. Enter yes. You will come to the Delay Time screen. I have mine set at 0.10s. Try setting slower or faster to hear the difference. The effects will only work in Performance Mode so you will have to shift modes to test the effects. When you are back in the Delay Time screen hit the Parameter > key. I have the Pitch Shift = 0, I do the pitch shifting in the Performance patches themselves. If you set the Pitch Shift at +2, each time a note sounds it will be 2 half steps higher than the previous note. Hit the Parameter > key. I have my Feedback set at 7. Hit the Parameter > key. I have the Effect Level set at 99. Now go to the Performance Mode and hit the Edit key. Set the Assign Mode to altr. I use 2 TX81Z's and have a patch called BADVIBES. I use the Great Vibes patch with the Max Notes set for one each on one brain, and Celeste with Max Notes set for one on each note but the last, which is set on 0, on the other brain. (Of course you can use one brain and still get these effects to work). I have the 2 brains set up to be out of sync to enhance the delay effect. For Note Shift I have the Great Vibes patch set at -19/-20/-15/-16/-18/-4/-12/-7 and the Celeste patch set at -20/-15/-16/-19/-7/-12/-3/*. Make sure the Effect Sel = delay. This patch sounds like an 'out' arpegiator, sort of an evil Mr. Rogers. For a more 'inside' sound try Pitch Shifts of octaves, fourths and fifths.

This next section is about the chord function. On just about every Wind Synth player's wish list is the Oberheim XPander. Besides the XPander's killer analog sound, one of its best features is its ability to play chords. With the proper programming it can play 3 different chords per trigger note. You are lucky if you can find one for $1500, if you can find one at all. I was lucky, I got mine used for $1300. However you can probably get a Yamaha TX81Z for under $150 and it can do something the XPander can't, play 8 different chords per trigger note, and different chords for each chromatic note! As with the XPander, its best not to think of these as actual chord changes, think of them as 'blocks of sound'. To play these chords requires a bit of programming. Go into the Play Single mode and hit the Utility key. Make sure the Memory protect is off. Hit the Parameter > key until you come to Edit Effect 3? Enter yes(on the DATA ENTRY key). The screen will read Key on note ? C3. Enter yes. Then program in a 3 note chord, not a 4 note chord. On C3 I use D2/G2/C3/*, * = no note. For C#3 I use F2/G2/A#2/*. To get to the next Key on note? hit the Parameter > key, then enter yes. After going through all 12 notes hit the Play/Performance key and get into the Performance (PF) mode. Hit edit. Make the Assign Mode = altr. For Max Notes enter 1 for each. Enter whatever patch you will. Enter all the other parameters as you will. When you get to the Note Shift screen you have reached the big one!

To get 8 different 'chords' per trigger note you must shift the pitch around. I often enter 0/-7/-5/-7/0/+12/-5/0. This will make all of the chords sound similar but different. To get 'out' sounding chords try entering in -1/+11/+1, something like that. For Out Assign make some notes I and some notes II, try I/II/I/II etc. For Effect Sel = enter chord. You should now be able to play any note 8 times and hear a different chord each time. If you have 2 81Z's try programming a bass sound using the Assign Mode = altr. and Effect Sel = off on one brain and have the other play chords. If you use a 7 note bass pattern you can get 56 different combinations! I use 2 81Z brains and have them both set to Asign Notes II when I want to use stereo patches, such as when I want to play chords. I put one 81Z II output to the left input of my main mixer and the other 81Z II output to the right input.This gives me great, fat, 6 voice stereo chords! For the patches I want smoother volume control I use Assign Note I and route them to my EWI mixer. For EWI controlled patches the 81Z volume must be all the up so no MIDI stepping will occur. For the stereo patches you must use breath controlled (cc#2) MIDI Volume and make the appropriate edits on the Play/Single patches. I only use the Performance Mode and use both TX81Z's as one 16 voice brain. For an investment of under $300 you can get some very fat sounding chords.

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